Novellas are so rarely done right. They either have too much going on or not enough. When novella’s go wrong the characters are lifeless, the plot is none existent, and the relationships feel forced. To avoid this, writers must go about writing a short story in the same way they would write a full length novel. There needs to be rising action, climax, and falling action. There should be surprises and originality, not just sex. Sex is good, even in abundant amounts, but not when the sex scenes feel forced and pointless. It must feel relevant to the plot, and natural for the characters to behave in such a manner.
Today, I’m showcasing Patricia Briggs’ novella, Alpha & Omega. Although, this lacks the steamy scenes we all love, it’s a good example of how to pace and plot your novellas. Even though this is a short story it feels complete and realistic (for PRN and UF, anyway).
This must be what it was like to be fully human.
“So why are they the ones called Flatheads?” she asked.
The scent of her fear faded further as she followed his story.
“You said your mother was Salish,” she said. “So the Marrok isn’t Native American?”
“Which city are we in?” he asked.
“Oak Park,” she said. “Home of Frank Lloyd Wright, Edgar Rice Burroughs and Scorci’s.”
Ah. That’s why she smelled of garlic.